Aught, no. 6 (2001)
Charles Tillman
separate for harmony those that require a purpose unspoken if the best way to
judge the work is never to see a variation in a theme on how to encore time in a replica of
a circle soon harvest patience still exempt of worship mouths empty of prayer
creating make believe events to questions with no answer among trust in
response beyond limits others heave as anything but heaven expressions of hope in
empty audience hallways form primary human content null of interest which
identity can be cultivated for explaination of drive to swell heart put off by deception of
duties absolute as enigma that lead to harmony of sound and origin of air
confusion of reach control and lose all of except in thoughts awakened by
addendum memories of consciousness from active imagination
with no identity in hues and objects constructed to represent dreams resent desires
acknowledge as well as repel ghosts during stormpainting reenactments of scenery
unfamiliar or foreign in previous examples used images
as if hanging in musaeums could impart essence in inevitable through
nature destruction by man and emotions abrupt end
Copyright
© 2001, by the author. All rights reserved.
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